![]() ![]() Shia says the film, and Zack, saved him and got him sober,” said Lemole, whose brother-in-law, Dr. “There is a wonderful parallel between Shia’s real life and the character he plays in Peanut Butter Falcon. Soon after, he went into rehab, where he said he wrote the script for Honey Boy, which debuts in select theaters Nov. But Shia was amazing and this movie wouldn’t have been the same without him,” said Zajaros.ĭuring production of Peanut Butter Falcon in July 2017, LaBeouf was arrested in Savannah and charged with public drunkenness, disorderly conduct and obstruction. “To be honest, it gave me pause because I’d heard the stories about him. LaBeouf was soon presented as a replacement for Foster. When Armory boarded the project, Ben Foster and Josh Brolin were attached to star, but both actors subsequently dropped out. “He told them, ‘Why don’t you guys write a movie, and I’ll star in it?’ And that’s what they did,” said Lemole. The film’s directors, Tyler Nilson and Michael Schwartz, had met Gottsagen at a camp in Los Angeles, where he told them of his acting ambitions. When one town ran out, we moved to another,” he added, noting that the film’s top-grossing metropolis was Salt Lake City. “I’m not embarrassed by what we grossed in New York and Los Angeles, but the truth is, we did better in smaller markets. He was introduced to Zajaros and Lemole by fellow Peanut Butter Falcon producers Albert Berger and Ron Yerxa, the duo behind such specialty hits as Little Miss Sunshine and Nebraska.Īmerica’s heartland fueled Peanut Butter Falcon, said Fellman, who is the go-to adviser for the likes of Christopher Nolan, Steven Soderbergh and Netflix. (Armory isn’t involved with Honey Boy, directed by Alma Har’el.)Įarly on, Armory hired veteran Hollywood distribution executive Dan Fellman to help find a distributor. Peanut Butter Falcon is a major win for Armory, whose past credits include Mudbound. ![]() to become the top platform release of the year to date and lead a much-needed uptick at the specialty box office after commencing its slow rollout in mid-August. Through Sunday, Peanut Butter Falcon - a modern-day twist on Huckleberry Finn - has grossed $20 million in the U.S. “They wondered whether people would be interested in seeing a movie starring a person who actually has Down Syndrome.” Running time: 1 hour 33 minutes.“It was devastating when the buyers weren’t able to see what we were seeing,” said Zajaros. ![]() Rated PG-13 for pratfalls, shenanigans, language. As storytellers, Nilson and Schwartz are careful to cover their bases - an early reference to Eleanor being a woman of independent means helps the film’s finale go down easier, plausibility-wise - but the center of their film is completely without contrivance. Along with the cinematographer, Nigel Bluck, and the editors, Kevin Tent and Nathaniel Fuller, the directors achieve a relaxed and amiable vibe while moving the story forward with dispatch through picturesque Southern Atlantic land and seascapes.Īnd Gottsagen is a disarming performer who creates a sweet and funny character. But I suspect almost nobody who sees “The Peanut Butter Falcon” will mind much. They make his character a little guy with a big heart, and big dreams - you’ve heard of such figures, I suppose - and let him have his hero’s journey. Neither, by the same token, does it try to wrench sentimental tears out of his condition. Zak takes frequent pratfalls and is often seen in various un-self-conscious states of undress, but the movie never makes him a figure of fun. ![]() Gottsagen, who is in his early 30s, has Down syndrome himself and the filmmakers crafted “The Peanut Butter Falcon” specifically for him. The clichés in this movie are enacted in a good cause. ![]()
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